Growing up during the Dipset era in New York City was an exciting time that you had to be there for. We got tons of gems, “Diplomatic Immunity” 1 and 2, Juelz Santana’s albums and mixtapes, Cam’ron’s “Come Home With Me,” “Purple Haze,” “Killa Season,” with the accompanying movie, as well Hell Rell, JR Writer, Byrdgang, and all of Dipset affiliates. The first time I heard “Babygirl” by Jim Jones, I was enamored by the male voice on the hook that belonged to someone named Max B. It was a hit all throughout the city garnering much radio play. As a huge Dipset fan, I definitely owned the “Harlem: Diary of a Summer” album. “G’s Up” ended up being a standout track on the album due to Max B featuring on the hook. with him going on to feature on the hook for Cam’ron’s infamous diss to Jay Z, “You Gotta Love It.” Every appearance Max made prior to dropping his debut mixtape “Million Dollar Baby,” were just precursors of the illustrious music he would eventually bless us with.
From 2006 to 2009, Max B dominated the mixtape circuit with tapes such as the “Million Dollar Baby” series, the entire “Public Domain” series, “Domain Diego,” “Wavie Crockett”, “Coke Wave” 1 and 2. In the midst of it all, he began feuding with Jim Jones over shady business dealings which he exposed in multiple songs and documented in the “Cocaine City” street DVDs alongside French Montana. The feud spawned songs such as “Lip Sing,” outing Jim Jones for using him as a ghostwriter, “She Touched It In Miami,” and “Tattoos On Her Ass,” detailing his alleged affair with Jones’ fiancee. Despite being blackballed from radio play due to this feud, Max B was able to reach a large audience in New York City and throughout the entire North East from his departure with Byrdgang and moving on to Gain Greene working heavily with Dame Grease, Al Pac, French and several others.
With street classics such as “Blow Me A Dub,” “Why You Do That,” “Gotta Have It,” “Try Me” and several others, he had a stronghold underground with an entirely original sound, the wave. The production paired with him singing gritty lyrics for hooks were something that was never executed in this manner. The hair, dark shades, chains and Nike boots all attributed to his “wavy” persona, even referring to himself as the Silver Surfer or Wavie Crockett. Let’s not forget his signature phrase, “OWWWWW.” His influence led to people naming themselves after his Biggaveli pseudonym, which is an ode and mixture of Jay-Z’s Jigga, Notorious BIG’s Biggie Smalls and 2Pac’s Makaveli. His influence extends to rappers such as Wiz Khalifa and Curren$y, a long-time supporters of Max.
Max B fans all over are excited and awaiting his departure back to the streets. We miss the music and the man behind it all. Free Max and visit supportmaxb.com
One thought on “THE INFLUENCE OF AN UNDERGROUND LEGEND – MAX B”
@younglechuga was here! Great read